Sarah Manguso's writing has appeared in the London Review of Books, the New Republic, the Paris Review, the Pushcart Prize anthology, and three volumes of the Best American Poetry series. Below are some links to work available elsewhere. (Links will open in new tabs.)

Prose

Last Words
(Esquire)

I Am Afraid of the Future
(Esquire)

The Cure
(New York Times Magazine)

A Very Short Story
(Conduit)

Four Very Short Stories
(MiPOesias)

Four More Very Short Stories
(Meridian)

The Fourth Man
(McSweeney's)

Nineteen Boys
(McSweeney's)

Not That Anyone Deserves Anything
(McSweeney's)

Things I Have Learned
(McSweeney's)

Things I Realized in 2002
(McSweeney's)

What to Do on October 30
(McSweeney's)

Poems

Two Poems
(Slope)

A Glittering
(Blackbird)

Address to an Absent Lover
(Kultureflash)

Address to Winnie in Paris
(Cordite Review)

Asking for More
(Fishouse Poems)

Est, Est, Est
(Fishouse Poems)

Getting Over the Twentieth Century
(New England Review)

Hell
(Cordite Review)

The Movement of a Caravan over the Landscape
(Academy of American Poets)

Reverence
(Ploughshares)

This Might Be Real
(Fishouse Poems)

What Is the Correct Subject?
(Octopus)

Wild Goose Chase
(Boston Review)

Criticism

The Fallacy of Prose Poetry: T. S. Eliot
(Academy of American Poets)

The Ghost Inside: Jack Gilbert
(The Poetry Foundation)

Interglacial: James Richardson
(The Believer)

Interview: Lydia Davis
(The Believer)

Laughter and Oblivion: Dean Young
(Boston Review)

Why the Writer of Prose Poems Is Never Sad: Russell Edson
(The Believer)